Photography always shows us something, be it nature, essence or phenomenon. She always tries to convince us that "something" is, but never purposefully does not show what is not. It does not matter, journalism or art genre, all directions show the object. I'm in this series, on the contrary, I show the absence of an object, including an absolutely traceless disappearance of certain things. At the beginning of the series, the heroes who are no more left traces to the viewer. Then the tracks disappear. In the given concept, the viewer, unconsciously, begins to seek an answer, which is missing in this plot, completing elements in his head. On the one hand, I show a series, a picture of the folding of being, as it gradually disappears from our eyes. On the other hand, I am narrating that absence alone is another new quality of presence. That is, a trace that does not disappear, but he continues to leave his tracks. In the prints of the mind, or direct intuition (depending on its type, a person chooses one or another toolkit), a neural network of possible probable events is built. Viewer he was not a witness of what was at the time before the disappearance (which means that such a tool as the mind, hardly will it suit) immerses his consciousness in the energy information field of the Earth, where from his ability to feel intuitively feels what probably no longer exists. This is the main task in the series, to force the viewer to see what is not. Let him for one instant, one breath, but his mind closes an umbrella over himself, during the invented "terrible" rain. In the series, in addition to photos of real missing objects, there are absent simulators that warm up interest in consciousness.
In the series 92 art work